This allows the screen to twist and flip in any direction, for easy composition at high or low angles, along with folding out to face the photographer or back on itself for protection. So far so similar, so what about the differences? The most obvious benefit of the EOS 600D / T3i over the 550D / T2i is its articulated display, inherited from the EOS 60D. Anyone who wants faster shooting at this lower price point is better served by Sony.
It’s the same old Canon story: if you want tougher build or snappier performance, you’ll need to move into its mid-range or semi-pro category. These specifications are fine for day-to-day photography, although action shooters will find the focusing and continuous shooting too leisurely for anything other than casual snaps. Despite slightly different quoted specifications we believe the viewfinders are identical. The AF system remains 9-point with only one cross-type sensor in the middle, and continuous shooting is still fixed at 3.7fps, although JPEGs are now limited to smaller bursts than before. Both are relatively compact and light bodies, although we preferred the coarser texture of the rubber grip surfaces on the new model. Handling is also familiar as it’s essentially the same as the EOS 550D / T2i before it. As such, the EOS 600D / T3i delivers good-looking high resolution images with a sensible balance between noise reduction and detail retention, although you won’t see any advantage over 14-16 Megapixel models unless you equip it with something superior to the EF-S 18-55mm IS II kit lens.
CANON EOS REBEL T3I USED MOVIE
With the same sensor and core movie modes as the EOS 550D / T2i, EOS 60D and EOS 7D before it, we’re already familiar with the resolution, noise and video performance of the Canon 18 Megapixel CMOS sensor. Starting with the image and movie quality, there’s understandably no surprises here. The new camera is not all about inheritance either, as it introduces scene detection in Auto along with Digital Zoom and Video Snapshot movie options the latter sound like novelties, but as we discovered they can deliver highly compelling results to certain movie makers.
CANON EOS REBEL T3I USED MANUAL
It inherits a number of small but useful features from the EOS 60D, including manual control over audio levels in movies, creative effects in playback and multiple aspect ratios in Live View. Canon’s simply filling every gap.īut while this strategy alone may justify creating in-betweener models, the EOS 600D / T3i is actually more than an EOS 550D / T2i with an articulated screen and wireless flash control. Then there’s those who like the photo and movie quality of the 550D / T2i but want a better viewfinder, superior AF and faster continuous shooting, and for them, the EOS 60D is the sensible choice. Now they can have those in a smaller, lighter and cheaper body than the 60D. There will be those who are already completely satisfied with the 550D / T2i, but others who looked enviously at the 60D’s flip-out screen and or wireless flash control. But what Canon’s doing here is following a simple strategy that’s proven successful for companies like Sony: to offer a wide variety of products with often only subtle differences to target every buyer. There’s also a great deal of overlap with the higher-end EOS 60D, which meant the new model was greeted by many with a shrug.
After all, both cameras are roughly the same size, shape and weight, and share the same 18 Megapixel sensor, core HD movie modes, viewfinder, 9-point AF system, 3.7fps continuous shooting, 3in 1040k screen and 63-zone metering system. NEW: Canon T3i / 600D vs Nikon D5100 reviewĬanon’s EOS 600D / Rebel T3i is the company’s latest upper entry-level DSLR, which at first glance appears to be little more than the EOS 550D / T2i equipped with a flip-out screen and wireless flash control.
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